Media Gallery:

	Roman Cratty-Lewis (Toto Follavoine) is very excited to be making his ATC debut.  He most recently played John in David Mamet’s Cryptogram at the Wilde Playhouse. He attends 6th grade at Basis School in Tucson. He is a native of Pittsburgh, PA where he did some commercials and print modeling work. He looks forward to an ongoing career in the theatre.
	Lynnda Ferguson (Mme. de Champrinet/Mme. Chouilloux) is delighted to make her ATC debut. She recently appeared in Habeas Corpus at South Coast Repertory, where her previous credits include Hedda Gabler, Private Lives, The Misanthrope, The Philadelphia Story, Tartuffe, Misalliance, Twelfth Night, The Miser and Round and Round the Garden. On Broadway she appeared in Rumors and Bring Back Birdie and off-Broadway in Mrs. Feuerstein and Romeo and Juliet. Other credits include Continental Divide at La Jolla Playhouse, G-Nome at Padua Playwrights, The Homecoming, Dangerous Corner and Mad Forest at Matrix Theatre Company; The Duchess of Malfi at A Noise Within; Private Lives, The Misanthrope, Major Barbara and Heartbreak House at Berkeley Repertory Theatre; Les Liaisons Dangereuse at The Pasadena Playhouse; Side Man and South Pacific at Denver Center Theatre Company; Coriolanus and Love’s Labour’s Lost at The Old Globe; The Marriage of Figaro and The Guardsman at American Conservatory Theater; The Misanthrope, A Midsummer Night’s Dream and Blithe Spirit at Center Stage; Hot N’ Throbbing at Arena Stage; and Antony and Cleopatra and Macbeth at Colorado Shakespeare Festival. Her recent film and television credits include Alex in Wonder, Making Contact, Law & Order, Judging Amy and Frasier.
	Geoff Hoyle (Bastien Follavoine/Translation and adaptation) returns to ATC where he was seen in The First Hundred Years and The Con-vict’s Return, both of which he wrote. He trained with Marcel Marceau’s teacher, Etienne Decroux and later clowned with Circus Flora, San Francisco’s Pickle Family Circus and Montreal’s Cirque du Soleil. He created the role of Zazu, in the original Broadway cast of The Lion King, for which he received a NY Drama Desk nomination. He has appeared off-Broadway in his solo Feast of Fools and most recently in Mr. Fox by Bill Irwin. His award-winning work, including Boomer!, Feast of Fools, The Convict’s Return, Geni(us) and The First Hundred Years has been seen in New York, San Francisco, Paris, London, Berlin, Taiwan, England and the former Soviet Union. He has appeared in many plays at regional theatres such as Berkeley Repertory Theatre, Arena Stage, Seattle Repertory Theatre, American Conservatory Theater, La Jolla Playhouse and American Repertory Theatre, and on television and in several films, notably Popeye, Smooth Talk, and Spirit of ‘76. He has received several National Endowment for the Arts grants, and an ArtsLink grant to visit circuses in Latvia and Russia. A National Theatre Artist’s Residency Program Fellowship from Theatre Communications Group/Pew Charitable Trust enabled him to work with ATC giving workshops in mask, clown and mime, while translating many of Georges Feydeau’s one-act plays, two of which he adapted into For Better or Worse.
	Sharon Lockwood (Julie Follavoine) is pleased to be making her ATC debut. She recently played the role of Barbara in the world premiere of Nickel and Dimed at Intiman Theatre in Seattle and subsequently at the Mark Taper Forum in Los Angeles. During her long association with Berkeley Repertory Theatre she played roles in The Oresteia, The Alchemist, The Magic Fire, The Triumph of Love, Pentecost, Volpone, The Con-vict’s Return, Reckless, The Importance of Being Earnest and others. Ms. Lockwood has also performed at the American Conservatory Theater where her work includes roles in Saturday, Sunday, Monday; The Rose Tattoo; The Cherry Orchard; The Royal Family; Juno and the Paycock; and The Marriage of Figaro. As a long-time member of the San Francisco Mime Troupe she performed in over 30 productions. Her regional credits include Long Wharf Theatre, Seattle Repertory Theatre, The Old Globe, Alley Theatre, Kansas City Repertory Theatre, Milwaukee Repertory Theater, California Shakespeare Theatre, San Jose Repertory Theatre, Marin Theatre Company, and Shakespeare Santa Cruz. On film and TV, Ms. Lockwood has appeared in The Pyschic Detective, Mrs. Doubtfire, The Long Road Home and Midnight Caller.
	Jarion Monroe (Adheume Chouilloux) is delighted to return to ATC where he was last seen as Prof. Klinglehoff in The Underpants. He most recently appeared in the world premieres of Charles Grodin’s The Right Kind of People as Jack Carmichael and Mr. Goldberg; and Sex Habits of the American Woman as Dr. Fritz Tittles at the Magic Theatre. His 35 years in the business have included seasons with the Oregon Shakespeare Festival, Berkeley Shakespeare Festival, California Shake-speare Festival, Berkeley Repertory Theatre, California Repertory Theatre, and South Coast Repertory, and he has performed at American Conservatory Theater, Yale Repertory Theatre, The Joyce Theater, Hudson Guild, and the Ahmanson Theatre. His favorite roles include The Player in American Conservatory Theater’s production of Rosencrantz and Guildenstern are Dead (for which he won a Bay Area Theater Critic’s Award), The Devil/Mendoza in Man and Superman, Casper T. Willis in the world premiere of Santos y Santos by Octavio Solis, Jean in Rhinoceros at Berkeley Repertory Theatre, Richard in Richard III, Capt. Von Trapp in The Sound of Music, Milo in Sleuth, Artie in House of Blue Leaves, Prospero in The Tempest, and Jacob Marley in A Christmas Carol. His television and film credits include Hallmark Hall of Fame’s Redwood Curtain, Frasier, Seinfeld, The Game, The Californians, In Control of All Things, Zodiac Killer and arch-villain Max Mirage in EA’s Psychic Detective.
	Amy Resnick (Clemence/Rose) is happy to be making her ATC debut. Her off-Broadway credits include Death of Frank, Goldberg Var-iations, and I Think I Like Girls (Cherry Lane). Her many regional credits include The Laramie Project at Berkeley Repertory Theatre (Bay Area Critic’s Award for Acting), The Real Thing at Mark Taper Forum and South Coast Repertory, Around the World in 80 Days, Tale of the Allergist’s Wife, Boston Marriage (B Street Theatre), Two For the Seesaw (Marin Theatre Company), The Old Neighborhood (Aurora Stage), Map of the World (Theatre First), for which she received a Goodman Award, Why We Have a Body at the Magic Theatre (DramaLogue Award), Darwin’s Finches, and Bunnicula (Chil-dren’s Theatre of California). Her film and TV credits include Haiku Tunnel, The Californians with Noah Wiley, Law & Order, and Picket Fences.
	Richard Trujillo (Horatio Garcia Zarzuela de Zaragoza y Pau/M. de Champrinet) returns to ATC having last appeared here in She Stoops to Conquer in 1991. His recent credits include Culture Clash’s Bordertown and John Leguizamo’s Spic-O-Rama for Actors Theatre, As You Like It and A Comedy of Errors for Southwest Shakespeare Company and The Complete Works of Shakespeare-Abridged for the Fulton Opera House. Mr. Trujillo is currently the Fine Arts Chair and Drama Teacher at Herrera School for the Fine Arts in the Phoenix Elementary School District. He is also a contributing arts writer for Latino Perspectives Magazine.